Mary Blair. Concept art for “it’s a small world” attraction. 1963
Disneyland presented itself as timeless and magical, but the technology and research behind the park’s attractions were highly sophisticated. Rides such as It’s a Small World, originally part of the Pepsi and UNICEF pavilion at the New York World’s Fair in 1964–65, were animated by Disney’s Audio-Animatronic technology, which allowed figures and other parts of the exhibits to move pneumatically in time with recorded sound. Boats efficiently moved visitors through the spectacle of hundreds of childlike dolls singing the same song in different languages. The near-identical dolls, whose production Disney supervised, were distinguished by stereotyped traditional clothing of different countries and were set against abstracted images of those lands.
Learn more at MoMA.org/centuryofthechild
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Mary Blair. Concept art for “it’s a small world” attraction. 1963
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