Lucienne Bloch. Study for The Cycle of a Woman’s Life. 1935
Bloch’s design for a mural in a high-rise women’s jail in downtown Manhattan made a bid for the heartstrings and possible reform of its audience with a diverse group of children innocently playing marbles on a city sidewalk. This scene was conceived as part of The Cycle of a Woman’s Life, a series of murals whose theme was approved by the inmates themselves. On such depictions the New York Times commented in 1938, “The first leitmotif that strikes the observer is a preoccupation with the quieter, gayer sides of life in this city… . Children, trees, dogs and flowers squeeze in everywhere, like grass cracking through cement.”
Learn more at MoMA.org/centuryofthechild

Lucienne Bloch. Study for The Cycle of a Woman’s Life. 1935

Bloch’s design for a mural in a high-rise women’s jail in downtown Manhattan made a bid for the heartstrings and possible reform of its audience with a diverse group of children innocently playing marbles on a city sidewalk. This scene was conceived as part of The Cycle of a Woman’s Life, a series of murals whose theme was approved by the inmates themselves. On such depictions the New York Times commented in 1938, “The first leitmotif that strikes the observer is a preoccupation with the quieter, gayer sides of life in this city… . Children, trees, dogs and flowers squeeze in everywhere, like grass cracking through cement.”

Learn more at MoMA.org/centuryofthechild

Get your daily dose of design from the MoMA exhibition Century of the Child: Growing by Design, 1900–2000. During each of the 100 days of the exhibition we will showcase an object featured in the show.

To find out more about Century of the Child visit MoMA.org/centuryofthechild.

Purchase the exhibition catalogue on MoMAStore.org or get the digital edition for the iPad on iTunes.

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