Bruno Taut. Dandanah – The Fairy Palace. 1919-20.
Following World War I, at a time of severe material shortages and inactivity in the building industries, Bruno Taut and a Berlin group of radical German architects and artists turned to more modest undertakings, such as the design of toys. Taut’s colored glass blocks recalled in microcosm the prismatic form of his Glass House pavilion at the 1914 Werkbund exhibition in Cologne. They allowed children to build free of real-world constraints, relying instead on imagination and artistic intuition. The simple shapes could be reconfigured endlessly (the set came with six colored sheets showing a variety of assemblages), and this malleability fit with Taut’s conception of the new spirit in architecture as dynamic and mobile.
Learn more at MoMA.org/centuryofthechild
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